This publication reflects only the views of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

2013. június 16., vasárnap

16th of June – 2nd day

16th of June – 2nd day

MORNING

This is the first day when the 2 groups are working together. There are twice as much people in the space as yesterday, we are feeling up the the Grabó studio!!



People are arriving by warming up, in the beginning mostly on the floor then gradually also moving in the space.
Tamás is keeping the time, gathering us in a circle and integrating the new group by summarizing very briefly our conclusion from the work of yesterday. He accentuates that during the week the international group will work with co-teaching.
Today’s starting and also the focus for the whole work are the
10 minutes teachings of each member from the international team.
-Do we want to introduce our teaching shortly to the young group? –asks Tamás.
-LET’S DO! – comes the common wish! J
We decide that the order of the teachings will follow organically, we will thread it.
 From here starts the journey dear reader! You will find the description of all 7 mini-classes. In order to not just present you a dry description I add with italic letters between the lines my juicy comments: what do I notice, experience, discover during each teaching in my body, in the space. I also gave a title to the 10 minute sessions, pointing out the essence of that 10 minutes – for me.
After the lunch break we had a common sharing. In a circle we gave 10+5 minutes to givee feedback. In the first 10 min. the teacher him/herself just listens, in the last 5 minutes he/she can add comments, reflect on what was sad about the mini class.  

The report of this afternoon session is a series of quotes from us reflecting on the teachings. Enjoy!

As you read the structure of the mini-teachings, I invite you to try to imagine and embody the exercise, the situation and read it’s description with your whole body. This is my score for the blogers. :) 

ISCRA – "The floating body"

„I propose you an exercise that I did few years ago in which I could experience the floating body.”
 We go into groups of 4. One person is in the middle, the others around. The person in the middle starts to shift the weight into the hands of the partners. He/she can move in the space freely moving the others as well. The touchers are:
·         giving support
·         awakening the body parts that they perceive more static, where movement can enter
·         softening the limbs with touch
We switch role every 2-3 minutes

I am together with Valentina, Julia Vavra and Ivo. I enjoy to perceive the weight shifts of the body between our hands, and also the moment when suddenly I perceive the whole situation: it becomes an interplay between the 4 of us. It becomes one dance!
 When I have my eyes closed I feel very light and in complete security to drop my weight into the hands of the others.

DEFNE – translation of sensation from body to paper
We start standing and sensing how our weigh starts to settle into the ground imagining the dust falling inside the body all the way down to the feet, into the ground.
After this we perceive one point in the body. We let this area come to us, the one that pulls our attention.
After witnessing that place we take a piece of paper and draw/write our sensation down. Then we stand up again taking a partner, the person next to us and exchanging the next series of touch:
·         placing the hands from front and back on the chest – what is my intention in the touch? What is my intention in receiving the touch?
·         placing the hands on the two sides of the shoulder
·         giving “rain drops” with the finger tips right under the clavicles from the sternum to the shoulder joint, reminding them their direction of opening on the two sides
·         putting the hands on the top of the shoulders and then giving rain drops on the trapezius from neck to the shoulder joints, from the shoulder blades all the way down to the lumbar part of the back, tracing the trapezius with our hands
·         from shoulders go all the way down to the heels, remaining with this last for a sec. to ground our partner.

Coming back to ourselves, perceiving what has changed in the body concentrating again on a concrete place (can be the same or another as before) and again translating the perception into the paper.
We switch places with someone in the space and look at his/her paper. We take whatever is there and give a feedback about it in motion. Whatever movement comes out from what I saw on my partners paper.
Then coming back to my paper I add something to my drawing.
To finish I turn the paper and write down a word in any language.

My word: “Nyál”, that means saliva in English. :)



IVO – "What is your personal time?"
We sit in a circle and get a question:
What is your personal time now?
We stay about 1 minute with this and then Ivo asks us to find a movement with our hand what we can repeat. We find the beginning and the end of the movement and then we start again and again.
We have a series of instructions while doing the same movement:
·         Change your perception of time while you are doing the movement
·         do it as if 1000 years passes while doing the movement
·         do it as if one second passes while you are doing the movement

I realize that my perception of time changes my view! When I was perceiving the movement during 1000 years I suddenly saw my body sitting on the ground, I saw it big and very concrete. It was a very strongly felt shift in my perception. After this, during the one second movement, I perceive my hand caressing my feet, noticing the weins under the surface: in the dense time details are showing themselves. In a waste time perception space is opening as well.

Then we stand up and connect to our central axis. We sense the area between the top of the head and the perineum, putting the palms together over the head to sense this axes even more clearly.
Then we shift it forward and ketch it at the very last second before falling, putting suddenly our palms together in front of the chest bending forward from the hips.
Same thing backwards by squeezing the hands.
We shift forward again, we catch our axis and then we drop the weight on the ground. And again and again…several times.
We do the same thing, but this time 1000 years are passing while we do the movement.
We do the same thing in one second.
At the end we sit down, coming back to the same question: 
How do I perceive time? What is my personal time?
Then we look around: how do the others perceive time?
We have 1-2 minutes to write about our experiences.

My timing? I Just feel that I could look into the eyes of another for very long time… but I don’t know any more what does this mean…:)

TAMÁS – awakening of the instinctual movement, shaking up the space
We get a partner. We stand side to side and slowly, together we roll down, we give weight to each other and then we roll up.
We separate and start to shake our whole body – into the spot where we are standing. When we feel “shaken” into that point, we step out of it, we run to an other place and start to shake again…

The space starts to live, the whole group moves, energy moves, eyes are opened as we have to take care not to bump into some one.

After this game we play with the idea that someone wants to catch me and I run away.
Switching into the idea that I am the catcher, I am the one who attacks.

We are becoming more and more physical; I feel the awakening of instincts, primary movement and reflexes, another kind of energy within the body, within the group.

“Let’s do it in an easy way, like in those movies, in matrix, when you just move right before the attack arrives to you.” – comes the instruction from Tamás.
Then we play freely with the 2 ideas: being attacked or attacking.

 Sound appears in the space and I am amazed by the animal like physicality that appeared so quickly in the studio.

To end we get a partner and we stend one in front of the other. We close our eyes and start to shift our body around our central axis.

In this moment I have a very interesting sensation, a totally new body perception came to me: the 2 sides of my body are having a conversation: my 2 shoulders, my left eye ball with the right one, my right knee with the left one…  Suddenly I can perceive the symmetry of my body. I feel symmetric and un-symmetric at the same time cause there is a constant flow between the two, constant movement. My right side and my left side are having an endless common dance.

[We take a short pi-brake for 5 min.]

VALENTINA – “unformal” & “formal” body – moving from the perspective of a child



We start by stretching the body on the floor while we can use sound freely.. without taking care of our social habits...
During the 10 minutes Valentina speaks a lot about the little babies: how do they perceive space, that this perception is the first to develop and just after that the kinesthetic sense appears in the body.
She gives us the idea of the body without form (amorphous): what could be the “unformal” body for you? While playing with this “amorphous” body we come to the formal body, embodying the spine, sensing the structure of it.

While playing with this 2 different ideas I realize how do I translate them for myself: when I move from the “unformal” body (body without form), suddenly I “see” and perceive the liquid in it, the liquid that unifies all my body parts that flows everywhere inside. When I decide to move with the “formal” body, I have an inner image of bones and muscles… structure appears. These are two very different qualities. Now as I write about it I understand that they mustn’t feel so different and divided as they are still living in the same body… my body.

We start to play with different energies in the body. Exploring the energetic level of the movement.
Then we go on with the idea and image of the children constantly going out from their central axis, this "safe place". We “break the rules of safety” with our movements.
We continue with “maping” or discovering the space with our movement. Moving becomes a way to feel and “measure” the space that is available to us,
"Which kind of space you are moving in? Is it calming? closing?...? YOU can imagine 10 spaces in this space. Going through spaces of colors with different densities".
At the end of these very dense 10 minutes Valentina speak about the 9 week old embryo who’s exoderm, endoderm and mesoderm are communicating with all our fluids. This is the time when we find “our first rhythm”.  In standing position we try to connect to that rhythm, to that memory, that is still there in our body.

VIKI - “ you are not independent of the others”
We split in 2 groups. Viki asks us to find a movement that starts on the floor comes up to standing and goes back on the floor again. We get 2 minutes to fix this movement. When we are done the space become the stage.
We take this movement into a performance situation. Everyone does his/her movement once. We are perceiving the others in the space and we relate to them with our movement.
One group in on “stage” the others are becoming watchers.
The first round we do the fixed movement.
The second round we improvise with the same idea: starting from the ground, coming up and then going back down on the floor. This time we get a music for our performance.
MVI_0167

During Viki’s performances I could see and touch the shift of attention in the space. Beautiful constellations that gave me the hanger of being together in this context. To create this kind of atmosphere, kinesphere… sphere.  


KATJA – "find your speed and stay with it"
She leads us back to the very beginning of this morning’s story:
·         recall the body sensation that you had while doing Iscra’s score.
·         Perceive the body as a whole
·         chose a speed for your movement and stay with it. As in your car, you chose your speed and now you stay on that one.
·         start to enter to the space of the others without changing your speed, don’t get influenced by their speed
·         increase your intensity without increasing the speed. What does it mean to increase intensity?
·         In the last 2 minutes we can change whatever we want to change

Stopping the movement and changing rhythm feels new and exciting. I go for a walk, I touch others, I feel all the info’s from the teachings becoming one in my inner space. Actually this inner space become bigger than the limits of my body.

At the end we get 2 minutes of writing with the same idea: write with the same speed without stopping.

I wrote as newer before: I was drawing my letters on the paper. This is a new experience of the action of writing. Oh, I think a nice bridge was creates between my left and right brain.J
  


LUNCH jupi! I’m so hungry!! Good food: zukini soup. potatoes with stuffed paprica and tomato based vegetable sauce..hmmmm…


AFTERNOON

Here comes the sharing of the afternoon session. 2-3-4 feedbacks about each class:

about ISCRA's class

Valentina: I enjoy getting to know each other through the degree of touch. There are 1000 ways of touching. It gives a lot of information non-verbally.
Tamás: I had a similar sensation in the 2 different roles. I felt like being in one flow during the 10 minutes.

Iscra: I miss the experience of being inside the task. I just realize that I could have done it.


abou DEFNE's class:

Juli L.: It is the only session for me where the 10 minutes was a "positive" framing. I didn’t have the time to think about what I will draw. I just jumped into every experience.
Katja: there where many proposals layered on each other.
Viki: I hate drawing, I never draw cause I don’t like my drawings. Now I was perceiving the movement of my hand and I enjoyed it. The area that I was perceiving before the drawing was the pain in my back. I don’t believe in these things but it worked: my back pain was gone when I was perceiving it for the 2nd time!

Defne: It was a short demo about my approach. I work a lot with creative response which is not a verbal feedback. Can be drawing or moving.. I create space for self-expression.


about IVO's calass:

Defne: I realized that my perception of time is related to my emotions.
Anna: An interesting moment was perceiving my own personal time while perceiving the other’s personal time, who were also looking at others personal time…
Tamás: 1000 years… I was seeing the timeline of the history book…:) We are learning the past of humanity… there is so much pain. I was feeling this pain in that one second. Conclusion: 1000 year is just one second.
 Juli H.: At the end I had an endless feeling.

Ivo:  I prefer to listen to you if you have other thing to say.


about TAMÁS's class:

Katja: Moving my whole body in the space brought back energy , helped me to come back into my center.
Valentina: Shaking was a moment of doing and watching at the same time
It was very strong to stay in front of my partner at the end! I could feel the emotional body of the other.

Tamás: It is like a children play… to try to catch each other.


about VALENTINA's class:

Anna: it was inspiring for my body and my intellect at the same time.
Katja: I don’t know what is the "informal body"...
Juli L.: Neither me. But I could see clearly 2 different qualities on your body Valentina. Personal struggle...
Viki: I realize that I never think about the body without form.
Tamás: I could make a distinction: thinking about my body in 2 different ways.

Valentina: finding the essence from chaos.


about VIKI's class:

Defne: there were no mistakes even if we did not do what your score was. 
Iscra: the fact that we looked at each other, changed totally the space. Our perception. 
Juli L.: I enjoyed practicing the situation of performance, that we usually don’t do in the studio.

Viki: I want you to see each other!


about KATJA's class:              
Anna: For me it was like putting thing in my body to their place. It was a simple reminder traveled through a whole journey during the 7 teachings.

Tamás: I could find a flow in writing that usually is a difficult task for me.

Ivo: I felt the freedom of breaking the rules. It was due to your attitude of proposing the exercises.

TO CONCLUDE THE DAY

At the end of the day we give 20 minute silent open space.

We are reflecting on the whole day:
The morning session was one continuous co-teaching 

For the last 20 minutes we split into 2 groups for the first time. We, the young teachers... are forming our group. 

We are discussing our role, our interest, our methodology...
I leave this for tomorrow. No more words, my body asksfor another kind of digestion. Sleeping.:)
See you very soon! ;)

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